Pleased with how the sleeve plackets turned out on my current work in progress. #sewing #memade #imadethis #sewqueer #menwhosew #makemenswear #menswearforall
Finished my @jalie_patterns quilted vest this weekend. More photos on @sew.multithreaded.
#oaklandsews #sewing #imadethis #sewqueer
My latest make: cardigan from @threadtheorydesigns in a lovely sweater knit from @stonemountainfabric. ・・・
Also, I’m experimenting with a second Instagram account just for my sewing, @sew.multithreaded — follow there for more behind the scenes, etc.
I’ve been sewing for about a year now, and I’ve made a handful of button down shirts, some gym shorts, baby clothes for my niece, and a peacoat for my guy. But up until this weekend I hadn’t tackled… bottoms. That changed Saturday, when I traced out the Thread Theory Jedediah Pants pattern and set out to make a pair of shorts. About a month ago I found some beautiful navy corduroy; there were two yards left on the bolt, and I thought, ”shorts”. Having never made them, however, I wanted a practice round before using the “good” fabric. When I found this print corduroy in Stone Mountain & Daughters half price bin last week, I knew I had my practice material.
And they turned out great.
I’ve been making muslins for a while when I try a new pattern, and I have to say making my test garment out of “real” fabric is a lot more satisfying. I found myself less inclined to cut corners (“this is the test one; for the real one I’d actually set the lining”) and the process felt like more fun that chore. And that’s what this is supposed to be: fun.
Things I want to remember for next time:
* Flip the pocket stitching pattern so the pockets mirror one another
* Maybe experiment with a different pattern? Or no pattern at all?
* The inseam is way too long for my liking — whack off half from the start.
* Pay closer attention to the fly facings… it turned out fine, but it seems like I must have missed something.
Before being felled by the flu shortly after Christmas, I had intended to write this at the end of December. Better late than never.
The last quarter of 2017 was a busy one for me. This was largely the result of acquiring a new hobby. Like some people collect books or plates, I seem to collect hobbies. The first weekend of October I decided to purchase a sewing machine. It’s something I’d been thinking about for a while, and had been setting funds aside from my paychecks for when I finally figured out what to get. I’m not exactly sure what sparked it: my mom and aunt both sewed when I was growing up, working together for a period at the Nimble Thimble; I had 8 weeks of home economics in 7th grade, split evenly between sewing and cooking; I’ve played with embroidery, needle point, and other fabric arts over the years. Any or all of the above, combined with some feeling that the clothing I wanted to wear wasn’t just waiting on the rack.
So armed with a rugged Husqvarna Viking, I set out to see what sewing was all about. Since that first weekend in October, I’ve made
- two dresses (Halloween costumes),
- a tank top,
- a short-sleeved henley,
- a button down dress shirt,
- another button down dress shirt,
- baby clothes and a coordinating blanket,.
- two capelets,
- a tunic top,
- and a pea coat.
Phew. I guess the sewing bug has bitten me a bit.
There’s a way in which sewing has been an unexpected application of the skills I’ve learned in my printmaking practice. In printmaking — especially linocut — it’s easy to make a mark on the block you didn’t intend. That becomes part of the print, there’s no going back. That leads to creative solutions, working it into the image in a way (hopefully) works. Sewing is more forgiving, but — especially as an early sewist — I found myself making mistakes in cutting, stitching, etc, that I had to work with. In some cases I could unpick the seam and start again. Other projects, such as the tunic, though, were made of fabric that resisted do-overs.
A friend of mine visited me in the printmaking studio a couple years ago. Observing me listen to the ink as I rolled it as a way to gauge viscosity, he commented, “Oh, it’s really like applied material science.” Sewing seems like that to me, too: working with things repeatedly to understand how they can be pushed, manipulated, and stretched.
Looking at the above list I understand why the last quarter of 2017 felt like all sewing all the time. I want to keep doing it in 2018 — I’ve already started a small first project — although probably not at that pace.